#Slate vcc brit 4k how to
#Slate vcc brit 4k series

The RAVEN series of multi- touch consoles consist of the RAVEN MTX, a 46РІР‚Сњ Large Format console that includes a state of the art monitor section, and the RAVEN MTi, a small 27РІР‚Сњ console that uses the same ultra responsive touch technology. Mixing with many faders at once, needР’В IР’В explain that?РІР‚Сњ ItРІР‚в„ўs like having yourР’В assistantР’В hand you your outboard gear and then returning it to the rack. Now you can press an insert, and your plug in pops up.

My frustration with controllers are the pages and layers, and that knob that was once this, now itРІР‚в„ўs that. This product blew me away on so many levels, the main one was imagining how much timeР’В IР’В could save which translated directly to how much more creative time IР’В have for the artist. Paul Wolff said about this unique opportunity: РІР‚Сљ I donРІР‚в„ўtР’В work with people thatР’В IР’В donРІР‚в„ўt believe in. We look forward to enhancing the product lines using his expertise and guidance.РІР‚Сњ His vast industry knowledge, manufacturing experience, and general genius have already proven to be an asset to the entire team. Steven Slate said РІР‚СљPaul Wolff has long been one of my idols in the audio industry. WolffРІР‚в„ўs extensive experience in the industry brings more than 35 years of experience and leadership, including his work at API and Tonelux, two well known companies that he owned that provided large format recording consoles to studios and production facilities. Slate Media Technology announced today that Paul Wolff will be joining the team as a Hardware and Design Specialist on the RAVEN Multi-Touch Console series and other soon to be announced products. So those are my mix buss favourites, what are yours? Of course all of this is down to taste, IРІР‚в„ўm sure there are plug-ins that find there way onto your mix buss that IРІР‚в„ўve missed.

#Slate vcc brit 4k how to

We show how to do the Pultec EQ trick here Conclusion The unique curves of the boost and cut manage to do this like no other EQ around. ThereРІР‚в„ўs a few Pultec EQ emulations on the market, suffice to say all of them can help with the low end trick which has made the Pultec EQs a go-to when needing to give your low end some energy without colouring the low mids.

See our Dangerous BAX Eq review here Pultec EQP-1A ThereРІР‚в„ўs some hot presets from Fab Dupont, well worth checking out. The EQ curves are musical and the M/S processing is awesome for pushing electric guitars, backing vocals and keyboard out to the side of a mix to give the vocal a chance to breath. UAD Dangerous BAX EQР”Р„ recent addition to the toolbox, the Dangerous BAX Eq is simply magic. I also use the multiband stereo feature, pulling the low into the centre and pushing the top out to the edges. I use the multiband compressor to keep everything under control, it allows me to push both the lows and the mids hard without them getting out of control. Ozone 5 has a number of uses for me on a mix. See our UAD ATR102 review here iZotope Ozone 5

The ATR-102 is great at gluing a mix together and doing some audio magic, in fact the kind of thing printing a mix to tape does - funnily enough. It has a great sound and best of all some excellent presets. There are a lot of tape emulations on the market, but I keep going back to the ATR-102. See our Slate VBC review here UAD ATR-102 Of all the Slate plug-ins this one is my favourite. The VBC is my go-to plug-in for both mix and drum buss processing, although modelled on some very famous hardware, the combination of the unique Slate tweaks to the models, the ability to combine the three units, the filtering and the option to mix both clean and processed signals make this a winner for me. Below are my top 5 go-to plug-ins, all used for various reasons and not all at the same time. An essential part of my mix chain is the plug-ins applied to the mix buss.